The Works of Charles and Mary Lamb Volume 5LETTER 90
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LETTER90
CHARLESLAMBTOWILLIAMGODWIN
Sept.9,1801.
DearSir,—NothingrunsinmyheadwhenIthinkofyourstory,butthatyoushouldmakeitaslikethelifeofSavageaspossible.Thatisaknownandfamiliartale,anditseffectonthepublicmindhasbeenverygreat.Manyoftheincidentsinthetruehistoryarereadilymadedramatical.Forinstance,Savageusedtowalkbackwardsandforwardsonightstohismotherswindow,tocatchaglimpseofher,asshepassedwithacandle.Withsomesuchsituationtheplaymighthappilyopen.IwouldplungemyHero,exactlylikeSavage,intodifficultiesandembarrassments,theconsequencesofanunsettledmind:outofwhichhemaybeextricatedbytheunknowninterferenceofhismother.Heshouldbeattendedfromthebeginningbyafriend,whoshouldstandinmuchthesamerelationtowardshimasHoratiotoAltamontintheplayoftheFairPenitent.Acharacterofthissortseemsindispensable.Thisfriendmightgaininterviewswiththemother,whenthesonwasrefusedsightofher.LikeHoratiowithCalista,hemightwringhis[her?]soul.LikeHoratio,hemightlearnthesecretfirst.Hemightbeexactlyinthesameperplexingsituation,whenhehadlearnedit,whethertotellitorconcealitfromtheSon(IhavestillSavageinmyhead)mightkillaman(ashedid)inanaffray—heshouldreceiveapardon,asSavagedid—andthemothermightinterferetohavehimbanished.ThisshouldprovoketheFriendtodemandaninterviewwithherhusband,anddisclosethewholesecret.Thehusband,refusingtobelieveanythingtoherdishonour,shouldfightwithhiThehusbandrepentsbeforehedies.Themotherexplainsandconfesseseverythinginhispresence.Thesonisadmittedtoaninterviewwithhisnowacknowledgedmother.Insteadofembraces,sheresolvestoabstractherselffromallpleasure,evenfromhissight,involuntarypenanceallherdaysafter.Thisiscrudeindeed!!butIamtotallyunabletosuggestabetter.Iamtheworsthandintheworldataplot.ButIunderstandenoughofpassiontopredictthatyourstory,withsomeofSavages,whichhasnorepugnance,butanaturalalliancewithit,cannotfail.Themysteryofthesuspectedrelationship—thesuspicion,generatedfromslightandforgottencircumstances,ingatlasttoactasInstinct,andsotobemistakenforInstinct—thesonsunceasingpursuitandthrowingofhimselfinhismothersway,somethinglikeFalklandseternalpersecutionofWilliams—thehighandintricatepassioninthemother,thebeingobligedtoshunandkeepatadistancethethingnearesttoherheart—tobecruel,whereherheartyearnstobekind,withoutapossibilityofexplanation.Youhavethepoweroflifeanddeathandtheheartsofyourauditorsinyourhands;stillHarriswillwantaskeleton,andhemusthaveit.Icanonlyputinsomesorryhints.Thediscoverytothesonsfriendmaytakeplacenotbeforethe3dact—insomesuchwayasthis.Themothermaycrossthestreet—hemaypointherouttosomegaypanionofhisastheBeautyofLeghorn—thepatternforwives,&c.&c.Hispanion,whoisanEnglishman,laughsathismistake,andknowshertohavebeenthefamousNancyDawson,oranyoneelse,whocaptivatedtheEnglishking.Somesuchwayseemsdramatic,andspeakstotheEye.TheaudiencewillenterintotheFriendssurprise,andintotheperplexityofhissituation.TheseOcularScenesaresomanygreatlandmarks,rememberableheadlandsandlighthousesinthevoyage.Macbethswitchhasagoodadvicetoamagic[?tragic]writer,whattodowithhisspectator.
"
Showhiseyes,andgrievehisheart."
Themostdifficultthingseemstobe,Whattodowiththehusband?Youwillnotmakehimjealousofhisownson?thatisastaleandanunpleasanttrickinDouglas,etc.Cantyoukeephimoutofthewaytillyouwanthim,asthehusbandofIsabellaisconvenientlysentofftillhiscuees?Therewillbestoryenoughwithouthim,andhewillonlypuzzleall.Catastrophesareworstofall.Mineismoststupid.Ionlyproposeittofulfilmyengagement,notinhopestoconvertyou.
Itisalwaysdifficulttogetridofawomanattheendofatragedy.Menmayfightanddie.Awomanmusteithertakepoison,whichisanastytrick,orgomad,whichisnotfittobeshown,orretire,whichispoor,onlyretiringismostreputable.
IamsorryIcanfurnishyounobetter:butIfinditextremelydifficulttosettlemythoughtsuponanythingbutthescenebeforeme,whenIamfromhome,IamfromhomesoseldoIfany,theleasthintcrossesme,Iwillwriteagain,andIverymuchwishtoreadyourplan,ifyoucouldabridgeandsendit.Inthislittlescrawlyoumusttakethewillforthedeed,forImostsincerelywishsuccesstoyourplay.—Farewell,
C.L.
[ThisandtheletterthatfollowsitcontainLambssuggestionsforGodwinsplay"
Faulkener,"
uponwhichhewasnowmeditating,butwhichwasnotperformeduntil1807.Lambwrotetheprologue,apoeminpraiseofDefoe,sinceitwasinRoxana,oratleastinoneeditionofit,thatthecounterpartto,orportionof,Godwinsplotisfound.There,however,thecentralfigureisadaughter,notason.SeetheletterstoWalterWilson.
Mr.Swinburne,inthelittlearticletowhichIhavealreadyalluded,saysofthisandthefollowingletter:"
SeveralofLambssuggestions,inspiteofhisownmodestdisclaimer(Iamtheworsthandintheworldataplot),seemtome,especiallyasingfromtheauthorofatragedymemorablealikeforsweetnessofmoralemotionandemptinessoftheatricalsubject,worthyofnotefortheinstinctiveintuitionofhighdramaticeffectimpliedintheirroughandrapidoutlines."
RichardSavage,thepoet,whoselifeJohnsonwrote,claimedtobetheillegitimatesonofLadyMacclesfieldbyLordRivers.SavagekilledSinclairinatavernquarrelin1727,andwascondemnedtodeath.HispardonwasobtainedbytheCountessofHertford.
"
TheFairPenitent"
isbyNicholasRowe.
FalklandandWilliamsareinGodwinsnovelCalebWilliams,dramatisedbyColmanas"
TheIronChest."
"
Harriswillwantaskeleton."
ThomasHarris,stagemanagerofCovent
GardenTheatre.
NancyDawson(1730?-1767),thefamousdancerandbonaroba.
"
Douglas"
—Homestragedy.
"
ThehusbandofIsabella."
InSoutherns"
FatalMarriage."
]
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